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  <title>DSpace Comunidad :</title>
  <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/182" />
  <subtitle />
  <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/182</id>
  <updated>2026-04-07T01:19:48Z</updated>
  <dc:date>2026-04-07T01:19:48Z</dc:date>
  <entry>
    <title>Gobernanza y autonomía relativa en los sistemas públicos de investigación. El caso del Consejo Nacional de Investigaciones Científicas y Técnicas de la Argentina (1983-1989)</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13835" />
    <author>
      <name>Svampa, Fernando</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13835</id>
    <updated>2026-02-02T11:57:25Z</updated>
    <published>2021-03-31T00:00:00Z</published>
    <summary type="text">Título: Gobernanza y autonomía relativa en los sistemas públicos de investigación. El caso del Consejo Nacional de Investigaciones Científicas y Técnicas de la Argentina (1983-1989)
Autor(es): Svampa, Fernando
Abstract: The aim of the master’s thesis is to contribute to the discussion on the role of research councils within public research systems (PRS), taking Argentina’s National Scientific and Technical Research Council (CONICET) as a case study. This approach is guided by the following research question: What changes in internal governance altered the composition and the relative autonomy of the actors involved in CONICET and its links with other institutions of Argentina’s PRS during the period 1983–1989?&#xD;
&#xD;
The choice of the 1980s responds to the fact that this decade represents a key historical moment, marked by the recovery of institutional order and the initiation of a process of intervention, normalization, and democratization of the main institutions in the science and technology sector. The new democratic government transformed the former Sub-Secretariat of Science and Technology of the military regime—previously under the Office of Planning of the Presidency—into the Secretariat of Science and Technology (SECYT), placed under the authority of the Ministry of Education and Justice. At the same time, national universities and CONICET were intervened with the objective of restoring institutional normality.&#xD;
&#xD;
Throughout the thesis, changes in CONICET’s internal governance between late 1983 and 1989 are analyzed, as well as their implications for the relative autonomy of key actors and for the Council’s relationship with other institutions of the PRS, with particular attention to SECYT and public universities. CONICET was selected as a case study due to its historical role in shaping Argentina’s PRS from 1958 to the present. It has been a central institution in the formulation, promotion, and execution of scientific policies. Moreover, the existence of a researcher career regulated by a Statute and Civil Service Ranking since 1973 makes CONICET a distinctive case in international comparative terms.&#xD;
&#xD;
Since its creation, CONICET has fostered internationally standardized scientific practices and strengthened domestic research capacities, reinforcing its legitimacy and contributing to the accumulation of scientific capital. The thesis concludes that, within a broader process of democratization of public institutions during the 1980s, actors associated with a bureaucratic culture—primarily oriented toward administration, coordination, planning, and efficient resource organization—were strengthened under the CONICET Board that operated between 1984 and 1989. This Board, chaired by Carlos Abeledo, framed its actions within a broader trend of institutional recovery and democratization that characterized Argentina’s PRS during the decade.&#xD;
&#xD;
New operational parameters were introduced to enhance transparency in governance. The most significant instrument in this regard was the creation of Research and Development Projects (PID) and Annual Research Projects (PIA) through competitive calls, initially funded by national treasury resources and later by a BID–CONICET II loan. These policies reduced the autonomy of institute directors and institute committees, while increasing the authority and relative autonomy of researchers in the Scientific and Technological Researcher Career (CIC), public university researchers, and advisory committees responsible for project evaluation. These changes were driven by the growing use of academic criteria—such as publication in indexed journals—in the allocation of research funding and postgraduate fellowships.&#xD;
&#xD;
Methodologically, the thesis is based on a triangulation strategy, relying primarily on qualitative data. The main data collection techniques included semi-structured interviews with key actors from the 1980s and documentary analysis of official reports, institutional records, meeting minutes, legislation, and statistical data. Data collection and analysis were conducted simultaneously in order to achieve theoretical saturation of the core concepts guiding the study.</summary>
    <dc:date>2021-03-31T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Desarrollo de una antena de doble polarización y gran ancho de banda.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13731" />
    <author>
      <name>Pedre, Germán Pablo</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13731</id>
    <updated>2025-12-05T11:58:56Z</updated>
    <published>2025-10-24T00:00:00Z</published>
    <summary type="text">Título: Desarrollo de una antena de doble polarización y gran ancho de banda.
Autor(es): Pedre, Germán Pablo
Abstract: This Final Integrative Project addresses the study, design, implementation, and characterization of a dual-polarization antenna prototype—or sensor—conceived for integration into an array with applications in S-band weather radars, particularly in the 2.7 to 3.1 GHz frequency range. The main objective of this array is to offer an alternative to traditional systems that use mechanical movement to orient the main radiation beam, proposing instead a solution that allows electronic pointing without the need to physically move the elements.&#xD;
The project's development has been structured in interrelated stages. It began with the study of different types of antennas in order to establish a solid conceptual basis from which to approach the design. This stage proved fundamental in selecting those that met the requirements of this work. Starting from a simple initial model, the design evolved progressively through simulations, incorporating improvements that allowed for achieving a configuration compatible with the stated goals. During this process, the observed behaviors were documented to consolidate a design criterion that could be adapted to different needs.&#xD;
Once a configuration that showed satisfactory performance in the simulations was obtained, the implementation stage began. This consisted of manufacturing the prototype using tools and resources available at the Bariloche Atomic Center. This phase not only included machining the antenna using a milling machine, but also complementary tasks such as the manual installation of the connectors, the adjustment of the reflector plane, and the final verification of the assembly, ensuring the correct implementation of the developed design.&#xD;
Finally, the antenna was experimentally characterized in the semi-anechoic chamber of the National University of Río Negro, obtaining measurements that allow for the evaluation of its performance and comparison with the theoretical results. These observations are documented in this report.</summary>
    <dc:date>2025-10-24T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Inyección electrónica programable.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13693" />
    <author>
      <name>Madeo, Alejandro</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13693</id>
    <updated>2025-11-07T12:21:56Z</updated>
    <published>2024-12-16T00:00:00Z</published>
    <summary type="text">Título: Inyección electrónica programable.
Autor(es): Madeo, Alejandro
Abstract: This final integrative project in electronic engineering focuses on creating an electronic control system for combustion engine management systems, with the goal of developing a competitive product in the programmable injection market.&#xD;
In the Argentine market, two predominant categories of imported programmable injection products are observed; however, both present significant limitations in terms of accessibility and quality. Therefore, this project aims to address this gap by developing a solution that combines affordability with the quality and performance of high-end imported products.&#xD;
It is important to note that this project is owned by MC Tecnologías SAS, which has not only financed the system's development but is also responsible for its commercialization.</summary>
    <dc:date>2024-12-16T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Lejos del pueblo, cerca de la gente, del agua, del árbol" Agentes estatales y Territorialidad en El Manso, Río Negro, Argentina</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13668" />
    <author>
      <name>Azzarri, Sofía</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13668</id>
    <updated>2025-11-07T11:36:17Z</updated>
    <published>2022-10-28T00:00:00Z</published>
    <summary type="text">Título: "Lejos del pueblo, cerca de la gente, del agua, del árbol" Agentes estatales y Territorialidad en El Manso, Río Negro, Argentina
Autor(es): Azzarri, Sofía
Abstract: This research is situated in El Manso, a commune located in the Andes Mountains in the northwestern region of the Andean-Patagonian forests. It comprises the hamlets of Foyel, Villegas, Manso Medio, and Manso Inferior. It is located in the western part of the province of Río Negro, between the towns of Bariloche and El Bolsón. It encompasses the basin of the Lower Manso River, which begins at its confluence with the Villegas River and extends to the current border with Chile (Río Manso-El León Pass, latitude 41°31'S, longitude 71°51'W).&#xD;
The valleys of El Foyel and El Manso are home to approximately 180 families (550 people), of which 17 (33 people) live on the side of Nahuel Huapi National Park located on the north bank of the Manso River. The municipality has several state institutions: a Justice of the Peace Court (Rio Villegas area), a Civil Registry (El Foyel), the National Gendarmerie (on National Route 40, at the entrance to Rio Villegas, and at the El León border crossing), the Rio Negro Provincial Police (Villegas), and the Forest Fire Prevention and Control Service (SPLIF) in Manso Medio. In addition, the following entities operate in the area: the Pedagogical Support Technical Team (ETAP) under the Ministry of Education, the Agricultural Education Center (CEA No. 3), the National Institute of Agricultural Technology (INTA), Environmental Health (part of the El Bolsón Area Hospital), and, until August 2018, the Undersecretariat of Family Farming. Furthermore, the area has three health centers staffed by a doctor, community health workers, and nurses. There are four schools with extended school days, one in each of the villages: three for early childhood education (Primary School No. 92 in Lower Manso, Primary School No. 166 in Rio Villegas, and Primary School No. 181 in El Foyel) and one boarding school (Primary School No. 213 in Middle Manso). A secondary education center with a virtual learning modality also operates on the same grounds as the boarding school.&#xD;
In this research, I worked primarily with state education and health personnel. I chose the school in Lower Manso because I contacted its principal and was enthusiastic about what she told me, especially that most of the teachers, cooks, and custodian are from the area or have lived there for many years. As a child, El Manso was a world of beautiful games, summer, the river, and fried cakes, and I was romantically and naively excited to reconnect with those worlds, thinking it would be easy. In that first instance, I sought to understand the ways in which the children of El Manso, specifically those who attend school number 92, appropriate the place where they live, circulate through it, and inhabit it.</summary>
    <dc:date>2022-10-28T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Estudianteatrar en el ENET</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13666" />
    <author>
      <name>Vásquez, Bruce</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13666</id>
    <updated>2025-11-07T11:35:38Z</updated>
    <published>2025-08-27T00:00:00Z</published>
    <summary type="text">Título: Estudianteatrar en el ENET
Autor(es): Vásquez, Bruce
Abstract: This document is a record and report about the National Meeting of Theater Students (ENET), an annual event created by and for students from various universities across the country, who are self-organized and connected to theater. During the meeting, theatrical and academic activities are integrated, resulting in an experience and space for professional development and practice for the participating students.&#xD;
Mariano Scovenna (2020), in his article "Estudianteatrar. A proposal to understand the teaching and learning of theater as complex processes," argues that there are certain theatrical experiences in which students participate in creating learning events and theatrical events that mutually imply and enrich each other. He calls this confluence of experiences "estudianteatrar," which he defines as the "flow of activities carried out by a subject who is learning theater and, at the same time, creating theatrical events" (p. 120). The use of this term is linked to being able to understand and name in its complexity that which it designates, and implies at least the following: exploring, inquiring, experimenting, playing, practicing, designing, elaborating, building, directing, acting, debating, creating, rehearsing, producing, writing, reading, contemplating, reflecting, imagining, conceptualizing, fantasizing, communicating, expressing, resolving, acting, undertaking, hypothesizing, celebrating, sharing, negotiating, interpreting, recreating, imitating, codifying, calculating, deducing, classifying, ordering, doubting, asking, observing, listening, collaborating, attending, understanding, participating, proposing, arguing, betting, appreciating, commenting, showing, flowing, and living. (p. 121) This report, in relation to the processes mentioned above, seeks to generate an academic record that accounts for the existence of ENET and makes explicit the experience that we, who organize and participate in it, acquired in the field of cultural, academic, and artistic management; This work transcends the academic sphere, extending into the local cultural production circuits of each delegation participating in the event. To this end, records, appendices, and remaining projects from ENET activities will be used; interviews with participating students from 2010 to 2018; and records of the ENET Bariloche Commission's activities from 2023 to the present, based on my active participation and experience as a manager and organizer. The activities that comprise the event and those necessary for its planning and execution will be detailed in depth.&#xD;
To this end, the report will first explain what ENET is and how the theater programs of the National University of Río Negro come to participate in this event, and will delve into its activities. Secondly, the objectives and practices implemented will be explained. Finally, there will be a section of conclusions drawn from the experience of participating in and organizing the event, as well as from writing this report.&#xD;
The report's appendix includes photographs of the event, a certificate of the practices carried out, and a transcript of the interviews.</summary>
    <dc:date>2025-08-27T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Diseño, implementación y control de posición angular mediante rueda de reacción de un gisóscopo.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13664" />
    <author>
      <name>Dal Farra, Franco</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13664</id>
    <updated>2025-10-28T14:31:27Z</updated>
    <published>2025-10-08T00:00:00Z</published>
    <summary type="text">Título: Diseño, implementación y control de posición angular mediante rueda de reacción de un gisóscopo.
Autor(es): Dal Farra, Franco
Abstract: The following report deals with the design and implementation of an angular position control simulator using reaction wheels. The work was carried out as part of the Final Integrative Project for the Electronic Engineering program at the National University of Río Negro, which is a continuation of the work carried out in a supervised professional internship in conjunction with the Bariloche Atomic Center (CAB).&#xD;
The motivation for this work is related to satellite attitude control using reaction wheels, a system used to maintain a fixed orientation with respect to another element or reference frame outside the satellite's frame of reference. The experimental setup attempts to represent the dynamics of the attitude control problem using a reaction wheel as an actuator. The goal is to achieve a device that can be used academically to design and implement different control algorithms in practice.&#xD;
The first stage of the work consisted of the design of the experimental model along with the sensors, actuators, and modules that make up the complete system, such as controllers, power stage, communication stage, etc. The physical assembly of the system was completed, with operational validation through unit testing of each part.&#xD;
The second stage consisted of the characterization and identification of the various plant parameters, leading to the creation and validation of a mathematical model to represent it. Various experimental identification and data analysis techniques were used, seeking a correlation between the expected results and the measurements obtained.&#xD;
The final stage consisted of the design and implementation of different control schemes, aimed at studying the plant's constraints and proposing a robust and stable control system that meets the given requirements. Based on the measurements and results obtained, a discussion was conducted and conclusions drawn.&#xD;
A functional prototype was created, in which five control algorithms were implemented, designed based on the identified model, achieving results of less than 5 seconds in settling time and 5% steady-state error.</summary>
    <dc:date>2025-10-08T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Uso del periódico Ecos del Parque en el ámbito educativo.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13623" />
    <author>
      <name>Siffredi, María Sofía</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13623</id>
    <updated>2025-10-13T14:34:24Z</updated>
    <published>2015-10-01T00:00:00Z</published>
    <summary type="text">Título: Uso del periódico Ecos del Parque en el ámbito educativo.
Autor(es): Siffredi, María Sofía
Abstract: Nahuel Huapi National Park (NHNP) is a refuge for nature and culture. It is the largest and oldest national park in Argentina's protected areas system. Its main objectives are the conservation of a representative sample of the Andean-North Patagonian ecosystems, high-altitude hydrological basins, and archaeological sites, the promotion of research, and the provision of facilities for environmental education and recreation in contact with nature. In this sense, environmental education plays a leading role, carrying out actions to protect the environment and encouraging those who inhabit, live in, or visit the protected area to adopt an attitude of respect for their natural surroundings. In turn, environmental education must strategically contribute to mitigating the key problems presented by the environmental crisis and understands that protected areas, as spaces for nature conservation and cultural development, enhance the development of individuals and communities. The NHNP designs various communication and education strategies through the Environmental Education Division, holding talks at various educational institutions in the protected area. Another strategy developed is the Communication Program, which, among other tools, publishes the newspaper Ecos del Parque. This case study investigated the use of the newspaper Ecos del Parque as a communication tool for environmental education in the educational setting. Four focus groups were formed, comprised of first-year secondary school students, at three institutions located in San Carlos de Bariloche. The 40 students who participated had previously received a copy of the 16th edition of the newspaper to be used as part of a classroom activity. Through the focus groups, it was learned that the most frequently used sections were the editorial, the central map, and the Ecos Chicos section. Its use met the students' need for information, which was found without major difficulties, as all of them were able to complete the guide or report requested by the teacher. This case study obtained further information about the relationship between the three educational institutions and the newspaper Ecos del Parque. New aspects were revealed, new meanings were found, where the perspective between the Formal and Non-Formal spheres of education share a space and together reveal an aspect of reality that opens the way to new ways of working.</summary>
    <dc:date>2015-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Producción de plantas ornamentales en el Vivero Tierra Baldía, El Bolsón, Patagonia.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13620" />
    <author>
      <name>Ballerini, Luisina</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13620</id>
    <updated>2025-10-13T14:33:25Z</updated>
    <published>2025-10-03T00:00:00Z</published>
    <summary type="text">Título: Producción de plantas ornamentales en el Vivero Tierra Baldía, El Bolsón, Patagonia.
Autor(es): Ballerini, Luisina
Abstract: In Argentina, commercial floriculture began in Buenos Aires with the production of potted plants by Japanese and German immigrants at the beginning of the 20th century. Later, in the 1930s, production expanded to cut flowers. It was the most developed in Latin America until the 1970s, when political issues and poor management limited the growth of national floriculture. The economic climate of the 1990s then favored the introduction of new technologies for production, as well as the introduction of new varieties of ornamental plants and commercial substrates (Morisigue et al., 2012).&#xD;
The ornamental plant market is characterized by a very abundant supply of species and varieties, but in Argentina, despite nearly a century of production and a wide diversity of climates, commercial production is poorly diversified (Morisigue et al., 2012).&#xD;
In Patagonia, floriculture is a recent activity, with producers and investors interested in meeting market demand. There are approximately eighty producers of bulbs, cut flowers, and dried flowers, as well as nurseries and potted plant producers, dedicated to this task. In some locations (mainly tourist destinations), growth and development, accompanied by landscaping projects in both private gardens and public green spaces, are generating an increase in demand for ornamental plants (Mazzoni et al., 2008).&#xD;
In Northern Patagonia, the Tierra Baldía nursery is a renowned ornamental plant producer in the region. With facilities in the towns of El Bolsón and El Hoyo, it carries out part of the production and retail sales, but also supplies retail nurseries in several Patagonian provinces.</summary>
    <dc:date>2025-10-03T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"CONSERVAR, HABITAR, MEDIAR". Una etnografía del Área Natural Protegida Río Azul - Lago Escondido.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13592" />
    <author>
      <name>Espinoza Mecozzi, Agustina</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13592</id>
    <updated>2025-10-02T13:59:45Z</updated>
    <published>2025-09-11T00:00:00Z</published>
    <summary type="text">Título: "CONSERVAR, HABITAR, MEDIAR". Una etnografía del Área Natural Protegida Río Azul - Lago Escondido.
Autor(es): Espinoza Mecozzi, Agustina
Abstract: The fire that started in the Río Azul – Lago Escondido Natural Protected Area (A.N.P.R.A.L.E.) highlighted both the institutional fragility of the area and the material and symbolic difficulties faced by the rangers in the performance of their duties. As I will develop throughout this thesis, the event acted as a catalyst for old, unresolved tensions and starkly exposed the limits of environmental governance in contexts where state presence is diffuse, fragmented, and, at the same time, deeply embedded in local social ties. Thus, the objective of this thesis is to understand - within the framework of the A.N.P.R.A.L.E. - the links established between the State and local inhabitants, taking into account, on the one hand, the complex process of spatialization and comprehensive verticality (Ferguson and Gupta, 2002) of the institutions that comprise it and, on the other hand, the embodiment of the State in the Provincial Corps of Environmental Guards (CPGA). To do this, it will be necessary to anthropologically describe the dynamics of this relationship and how it affects the parties involved territorially and socially, also considering the implications for the management and use of the territory. In this sense, the question that arises is: what territorial management possibilities does the Secretariat of Environment and Climate Change (SAyCC) of the province of Río Negro exercise, considering that the interaction between the State—represented by environmental rangers (ERs)—and local residents is crisscrossed by family ties, regulatory ambivalences, and disputes over the use and control of space? This raises the need to pay attention to the representations that each of the actors involved has regarding the land, the protected area, and themselves. Added to this is the complexity of this relationship, as the functions of the ERs are limited by an unfinished institutional framework, which, far from resolving the structural conflicts of territorial management, reproduces and deepens them.&#xD;
To demonstrate this, I will first begin with some contextual notes on A.N.P.R.A.L.E. and its personnel, which will allow us to frame the territorial and social dynamics that permeate the area. Next, I will develop the theoretical framework that guides this thesis, followed by the methodological strategy employed, which combines my experience as a field worker, resident, and researcher. Finally, I will briefly describe the overall structure of the paper, which organizes the proposed analytical journey.</summary>
    <dc:date>2025-09-11T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Evaluación de la eficiencia de diferentes modelos de trampas para polen disponibles en el mercado, que están al alcance de los productores apícolas.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13587" />
    <author>
      <name>Bascur, Daniel Hernán</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13587</id>
    <updated>2025-10-02T13:57:56Z</updated>
    <published>2023-02-27T00:00:00Z</published>
    <summary type="text">Título: Evaluación de la eficiencia de diferentes modelos de trampas para polen disponibles en el mercado, que están al alcance de los productores apícolas.
Autor(es): Bascur, Daniel Hernán
Abstract: The beekeeping activity at Comarca Andina is developed as a complementary activity from others, it is usually held by small producers who develop it in a non – industrial, traditional way, getting honey as only and main product from beehives, not considering diversification.&#xD;
The activity itself allows a wide range of resources that we can get from the hive which would generate a higher money income, providing the possibility of economic/ financial stability for small/familiar industries.&#xD;
Pollen is part of the diversity of products which is an item that is of great nutritional supply, improving diet’s quality of people due to the amino-acids, proteins, fats, minerals and trace elements.&#xD;
That is reason why the use of pollen traps is being analysed to get the corbicula pollen which you can get in the market.&#xD;
Along this work the four kinds of pollen traps used in the region will be compared. Parameters are: adaptability, how much comfortable is it to install it in the hive and the harvest in terms of efficiency in the collecting chore, to get information to be shared with producers from Comarca Andina from parallel 42°S and thus this information to encourage diversification of hive products and to provide the tools to make good decisions.</summary>
    <dc:date>2023-02-27T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Descripción y propuestas técnicas para el cultivo de Quinua (Chenopodium quinua Willd.) en la Comarca Andina del Paralelo 42°: estudio de caso en Mallín Ahogado, Río Negro.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13574" />
    <author>
      <name>Rossi D'imperio, Antonella</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13574</id>
    <updated>2025-10-02T13:54:44Z</updated>
    <published>2023-09-27T00:00:00Z</published>
    <summary type="text">Título: Descripción y propuestas técnicas para el cultivo de Quinua (Chenopodium quinua Willd.) en la Comarca Andina del Paralelo 42°: estudio de caso en Mallín Ahogado, Río Negro.
Autor(es): Rossi D'imperio, Antonella
Abstract: Quinoa (Chenopodium quinua Willd.) is an ancient crop that has gained global importance for decades due to its nutritional quality and agronomic versatility. This species has been cultivated in northern Patagonia since the 19th century. Currently, several quinoa cultivation experiments are being carried out in the Andean Region of the 42nd Parallel (CAP 42°) within the context of family farming, for personal consumption and sale of surpluses to local markets. At the same time, there are no scientific and/or technical studies documenting and evaluating these productions. This final project for the Technical Program in Organic Plant Production at the National University of Río Negro (TPVO - UNRN) proposes the general objective of analyzing and evaluating, in terms of management and yield, the local cultivation of quinoa in an associative family farming project in Mallín Ahogado (El Bolsón, Río Negro), with the aim of proposing actions to improve the cultivation system. This case study is the first to document local quinoa management practices in CAP 42°. The results conclude that the high phenotypic variability recorded in the crop can be considered the greatest deficiency for this productive cycle and that the management of the lot prior to planting and during crop development, along with an adjustment in the selection of plants that will be used as seed for sowing, are key points to mitigate this effect.</summary>
    <dc:date>2023-09-27T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Comportamiento fenológico y productivo en nueve variedades de frambuesa (Rubus idaeus L.), en la localidad de El Bolsón, Río Negro, durante las temporadas 2019-2020, 2020-2021 y 2021-2022.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13573" />
    <author>
      <name>Franza, Facundo Catriel</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13573</id>
    <updated>2025-10-02T13:54:33Z</updated>
    <published>2023-04-17T00:00:00Z</published>
    <summary type="text">Título: Comportamiento fenológico y productivo en nueve variedades de frambuesa (Rubus idaeus L.), en la localidad de El Bolsón, Río Negro, durante las temporadas 2019-2020, 2020-2021 y 2021-2022.
Autor(es): Franza, Facundo Catriel
Abstract: The genus Rubus is distributed worldwide, taxonomically placed within the Rosaceae family, and comprises approximately 1,450 accepted species (Royal Botanic Gardens Kew, n.d.). Among them, Rubus idaeus L. (European red raspberry) is a species presumed to be native to Greece (Mount Ida) and present in the wild in Europe and Asia Minor (GARCÍA RUBIO et al., 2014).&#xD;
Raspberries are part of the group known as berries, which represent approximately 2% of global fruit production: approximately 7.8 million tons, of which 83.3% are strawberries, 9.8% are blueberries, and 6.8% are raspberries (Food and Agriculture Organization of the United Nations [FAO], 2020).&#xD;
Currently, their demand is unmet at the national and global levels. Consumption in its fresh form, as well as through various products, has been growing in recent decades: the cultivated area worldwide today exceeds 120,000 hectares, while production volume exceeds 850,000 tons (FAO, 2020).&#xD;
In Argentina, cultivation of this species is relatively recent. The first plantations on a significant scale began in the El Bolsón area, Río Negro province, in the 1950s. After 1980, other productive regions such as Mendoza, Neuquén, and Buenos Aires joined the ranks. Meanwhile, the Andean Region of the 42nd parallel (particularly the towns of El Bolsón, El Hoyo, Lago Puelo, and Epuyén) encompassed around 70 hectares in 2008, of which 43 were located in Chubut and 28 in Río Negro (DE MICHELIS, 2012).&#xD;
In the Andean region along the 42nd parallel, trials of this nature began to be conducted at the end of the 20th century, given the need for specific information on the productive performance of raspberry varieties already existing in the area, as well as new ones. This practice yielded highly relevant data on phenology, production, fruit weight, harvest distribution, and marketability (MARTÍNEZ et al., 2009).&#xD;
This paper presents a study conducted during the 2019-2020, 2020-2021, and 2021-2022 production seasons, in a varietal trial located at the Humus de la Montaña farm in El Bolsón, Río Negro. This work includes the performance of nine raspberry varieties: Schönemann, Polka, Autumn Bliss, Tulameen, Himbo Queen, Himbo Top, Glen Ample, Sugana, and Fruat Mec. The task focused on recording phenological stages, crop distribution, and average yield, as well as measuring fruit characteristics of culinary and commercial interest, such as pH, Brix degrees, and average fruit weight.</summary>
    <dc:date>2023-04-17T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Análisis y propuestas productivas para el cultivo de cannabis de uso medicinal en la Comarca Andina del Paralelo 42°.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13572" />
    <author>
      <name>Carrasco, Agustina Leticia</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13572</id>
    <updated>2025-10-02T13:54:21Z</updated>
    <published>2023-09-28T00:00:00Z</published>
    <summary type="text">Título: Análisis y propuestas productivas para el cultivo de cannabis de uso medicinal en la Comarca Andina del Paralelo 42°.
Autor(es): Carrasco, Agustina Leticia
Abstract: Speaking of the Andean Region of the 42nd Parallel or El Bolsón automatically brings to mind idyllic landscapes, summer trips with overstuffed backpacks, drinking beer, visiting the hippie fair, and "smoking a joint." 1 This undoubtedly has to do with the fact that the consumption of Cannabis sativa ("hemp," "marijuana," "cannabis") has been part of the idiosyncrasy of a large sector of the Region since the 1970s. Since then, the methods of production and administration have changed, to the point that a significant percentage of the herbal preparations based on this plant consumed in the country come from this area. While this could be interpreted as a positive shift in terms of both "moral" and productive development, the truth is that both the cultivation and production of herbal preparations suffer from a series of difficulties that prevent the products from truly positioning themselves in a growing market and generate concerns among those who prescribe, recommend, and consume them.&#xD;
Based on the perceptions of both cannabis growers and processors regarding the raw material, and consumers regarding the quality and effectiveness of the final product, we focused on identifying some of the challenges faced by medicinal cannabis production during the period 2020 to 2022 in order to make recommendations aimed at overcoming them. The reconstruction of the international historical context, the analysis of Argentine legislation, the socio-productive characterization of the region, interviews and surveys conducted with key players in the production and consumption of phytopreparations, in addition to crop records and laboratory trials, have resulted in a scientific product co-constructed from the movement, science, and practice as pillars of agroecological thinking within which we inscribe organic production (Wezel, 2009).&#xD;
This paper seeks to contextualize and characterize the production of the Cannabis sativa plant for medicinal purposes in the Andean region of the 42nd parallel, identifying the main socio-productive challenges and proposing technical interventions to improve cultivation and strengthen this sector.</summary>
    <dc:date>2023-09-28T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Biblia transmedia Hijas de la Luna.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13550" />
    <author>
      <name>Álvarez, Melanie Thamara</name>
    </author>
    <author>
      <name>Villalba, Marcia Belén</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13550</id>
    <updated>2025-09-30T14:39:46Z</updated>
    <published>2022-03-28T00:00:00Z</published>
    <summary type="text">Título: Biblia transmedia Hijas de la Luna.
Autor(es): Álvarez, Melanie Thamara; Villalba, Marcia Belén
Abstract: In the audiovisual field, two major roles can be recognized that transition together from the idea to the sale and/or exhibition of the material, in this case, a transmedia bible. These roles, often mentioned but little known in the specifics of their work, are: Direction and Production.&#xD;
We understand that in the audiovisual field there are different types of producers and directors. In the case of the development of a transmedia bible, we find a financial producer and a project manager.&#xD;
The financial producer is the one who seeks both public and private funding, whether monetary, in kind, or associative. They assess the market and the possibilities for insertion into it. We also keep in mind that "the primary function of a producer is to interpret the audience's desires, that is, to seek the underlying interest to which the audiovisual product will be directed" Jose Jacoste Quesada.&#xD;
“A project manager is an expert who possesses sufficient skills, project management tools, techniques, and knowledge to increase the chances of success of any project…. During project management, the project manager is the person with the overall responsibility for properly defining the strategies for initiating, planning, designing, executing, monitoring, controlling, and closing a project.”&#xD;
The methodology is clear: without dialogue between management and production, there is no project. Therefore, we understand that feedback from these roles and areas at each stage is important to ensure the project's success.&#xD;
Considering that part of a conclusion is being able to reflect on what we've done, throughout this entire project, we realized that our conclusion could be reflected in one line: “Ideas are better and can be transformed through dialogue as a team.”&#xD;
From the beginning, this idea was proposed by management as a film, but as the project progressed and the production department joined the team, this film was transformed into a series, generating an exchange of knowledge and reviewing each of the project's lines. The team understood that the foundation for generating a transmedia universe lay in the motto and the premise, which, being so clear and concise, allowed us to materialize this universe called "Daughters of the Moon."&#xD;
We then concluded that production, market analysis, direction, story, and concept are the essential pillars for developing an audiovisual project.</summary>
    <dc:date>2022-03-28T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Rediseño de Agenda Cultural Qué Hay</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13549" />
    <author>
      <name>Tercic, Santiago Daniel</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13549</id>
    <updated>2025-09-30T14:39:30Z</updated>
    <published>2023-12-20T00:00:00Z</published>
    <summary type="text">Título: Rediseño de Agenda Cultural Qué Hay
Autor(es): Tercic, Santiago Daniel
Abstract: . The Qué Hay Cultural Agenda was founded more than 13 years ago as the only means of cultural dissemination in the Andean Region. Since its inception, we believe it has played an essential role in the region's artistic sector, providing an independent channel for the free and up-to-date dissemination of events, courses, workshops, and other activities related to art and culture.&#xD;
Always with the end-user perspective in mind and from a transmedia perspective, the idea was to create an interconnected platform that would facilitate the expansion of content between print and digital media. In this way, residents and visitors of the region can access accurate, organized, and clear information about the region's cultural activities.&#xD;
To achieve this redesign, we began an interface design (UI) process focused on user experience (UX) to create an interaction design (IxD) that would materialize into a multimedia platform. It is important to clarify that while interface design focuses on the product itself, such as the website, mobile app, and print magazine, User experience focuses on the end user, and interaction design addresses the interaction between the user and the product. In this sense, we understand design according to Steve Jobs's statement, "Design is not just what you see and feel. Design is how it works." For this reason, the redesign will encompass the functionality and interactivity of the Qué Hay Cultural Agenda platform.&#xD;
Therefore, the mission is to analyze design challenges and solutions throughout the Agenda's history and develop a redesign that encourages user interaction, addressing their needs. Furthermore, this design must allow for the expansion of the experience through multiple interconnected media, thus providing a rich and dynamic cultural experience.</summary>
    <dc:date>2023-12-20T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Adaptación y gestión de múltiples roles en una producción audiovisual a gran escala de alta montaña.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13548" />
    <author>
      <name>Suez, Aldana</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13548</id>
    <updated>2025-09-30T14:39:20Z</updated>
    <published>2022-11-29T00:00:00Z</published>
    <summary type="text">Título: Adaptación y gestión de múltiples roles en una producción audiovisual a gran escala de alta montaña.
Autor(es): Suez, Aldana
Abstract: The general objective of this Professional Intervention is to perform multiple audiovisual roles in a large-scale Audiovisual Production in a high mountain terrain. The "Snow Society" (LSDLN) project is a Netflix production directed by J.A. Bayona, a renowned Spanish director and producer. His most famous feature films include: The Orphanage (2007), The Impossible (2012), A Monster Calls (2016), Jurassic World: Fallen Kingdom (2018), which Steven Spielberg chose to direct, and the first two episodes of The Lord of the Rings: Rings of Power, which will be released in September 2022.&#xD;
For this project, I would like to gain experience and knowledge in mountain safety and logistics to be able to operate in that environment. I would also like to enhance my capabilities in the audiovisual field to professionally perform my tasks within the project, and thus be able to unite these two worlds: the mountain and the audiovisual.&#xD;
To this end, the goal is to establish an organization and Prioritizing tasks according to the production company's schedule, participating in the filming at the Valley of Tears during the month of August to work in the field, gain experience filming in the mountains, and gain versatility to adapt quickly and easily to different audiovisual roles and advanced tasks at Base Camp.</summary>
    <dc:date>2022-11-29T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Fanáticos XND en TikTok: creación de la estrategia y adaptación de los videos a la red social.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13547" />
    <author>
      <name>Siccardi, Mateo</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13547</id>
    <updated>2025-09-30T14:39:08Z</updated>
    <published>2024-11-22T00:00:00Z</published>
    <summary type="text">Título: Fanáticos XND en TikTok: creación de la estrategia y adaptación de los videos a la red social.
Autor(es): Siccardi, Mateo
Abstract: As part of my final degree project, I decided to do my professional work on Fanáticos por nuestro deporte (from now on called Fanáticos XND or FxND), originally named Fanáticos XND, but later also renamed Fanáticos por nuestros destinos. This work belongs to the production company Luces de Cordillera, which creates content for television, YouTube, and social media about tourism, adventure, and sports.&#xD;
In the initial meetings, the members of the production company told me that their goal was to gain more followers and views on YouTube. This led to my proposal to create a TikTok account, with the aim of establishing a presence on a new social network and helping them achieve their goal.&#xD;
I was already familiar with and interested in the content on Fanáticos XND, but as I began my professional work with the production company and began paying more attention to their posts, I believed it was material that could work on TikTok. I also thought it was a good opportunity to learn about and delve into this currently booming social network, understand its dynamics, the famous "algorithm," and also see how the production company could benefit from having an account and being active on TikTok.&#xD;
Fanáticos XND is dedicated to generating content about tourism, adventure, and local sports. I noticed that many accounts are creating content about destinations and travel and have a strong presence on TikTok. Therefore, I understood that there is an audience that consumes this type of content, so much of the production company's existing material could be interesting on this social network.&#xD;
I decided to take charge of creating and managing the account; for this, I had to adapt the long videos already published by the production company to the TikTok format, which is characterized by its short content. Therefore, my work was divided into two areas: video editing and the creation of the social media strategy and management.&#xD;
I started by setting goals, monitoring TikTok, and developing a strategy, then moved on to video editing, account management, and then analyzing the posts I made.</summary>
    <dc:date>2024-11-22T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Creando narrativas en la Fábrica Audiovisual.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13546" />
    <author>
      <name>Sánchez, Sofía Camila</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13546</id>
    <updated>2025-09-30T14:38:56Z</updated>
    <published>2023-11-22T00:00:00Z</published>
    <summary type="text">Título: Creando narrativas en la Fábrica Audiovisual.
Autor(es): Sánchez, Sofía Camila
Abstract: Post-production design plays a fundamental role in audiovisual narrative. Post-production encompasses various aspects, such as video editing, sound editing, visual effects, and color correction, which together shape the final audiovisual piece.&#xD;
Editing, in particular, impacts the narrative rhythm, the sequence of events, and the way the viewer connects emotionally. Through the selection and order of shots, montage can accelerate tension, strategically reveal information, and create symbolic connections. According to Sánchez-Biozca (1991), "Montage alludes... to the existence of fragments, of pieces, to the idea of construction, highlighting the clearly visible threads that sew these pieces and fragments together." (p. 13)&#xD;
Together, post-production design and montage are tools that enable audiovisual artists to tell stories effectively, influencing how the narrative is experienced and how the audiovisual's meaning is communicated.&#xD;
In this report, I detail my professional experience at the Fábrica Audiovisual cooperative, where I had the opportunity to work for six months in the post-production department. The cooperative offers a wide range of audiovisual production services such as the creation of reels, music videos, visual identity and branding, short films, documentaries, and commercials for various media, including social media. It also provides production services for advertising campaigns, TV programs, and event coverage.&#xD;
La Fábrica is dedicated to communicating creative, productive, and collaborative ideas effectively, artistically, and professionally, through the development of innovative, high-impact content and products. Their mission is to meet the needs of their clients and society at large by achieving specific communication objectives. They are committed to offering efficient creative and technical solutions to ensure effective communication and meet both individual and collective needs.&#xD;
During my time there, I was responsible for carrying out tasks and projects related to the post-production area, such as file organization, visualization of material, project editing, and color correction.&#xD;
In the following sections, I will present the details of my performance, the difficulties and challenges encountered, as well as the results and achievements during my time at the Factory.</summary>
    <dc:date>2023-11-22T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Realización integral de largometraje documental de bajo presupuesto: El Turbio.</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13545" />
    <author>
      <name>Ruiz, Bruno Damián</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13545</id>
    <updated>2025-09-30T14:38:45Z</updated>
    <published>2024-12-20T00:00:00Z</published>
    <summary type="text">Título: Realización integral de largometraje documental de bajo presupuesto: El Turbio.
Autor(es): Ruiz, Bruno Damián
Abstract: In order to complete my time as a university student and finally become a graduate in Audiovisual Artistic Design after so many years, it was necessary to complete an internship where I could demonstrate and apply everything I had learned throughout my years of study. My professional intervention was carried out at the production company Desemboque Audiovisual, with the documentary feature film project El Turbio, with the objective of fulfilling the role of integral director during the filming of the low-budget documentary, to portray the life of the ancient settlers within the Lago Puelo National Park and present an audiovisual teaser of the project that shows the integral realization tasks in filming the documentary, designing an effective recording methodology that ensures technical quality taking advantage of the available resources, comprehensively solving the audiovisual record of interviews recorded during the investigation that is developed in parallel to the filming, developing an effective audiovisual narrative that allows the director to tell the story in a way that it impacts and captivates the viewer, establishing a narrative code with the different resources of the audiovisual language so that the viewer can become familiar with and relate the aesthetics and the content.</summary>
    <dc:date>2024-12-20T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Diseño de postproducción de sonido del largometraje Iberah</title>
    <link rel="alternate" href="http://rid.unrn.edu.ar:8080/handle/20.500.12049/13544" />
    <author>
      <name>Rossell, Joaquín</name>
    </author>
    <id>http://rid.unrn.edu.ar:8080/handle/20.500.12049/13544</id>
    <updated>2025-09-30T14:38:35Z</updated>
    <published>2025-08-26T00:00:00Z</published>
    <summary type="text">Título: Diseño de postproducción de sonido del largometraje Iberah
Autor(es): Rossell, Joaquín
Abstract: This report describes my involvement in the sound department of the independent comedy film "Iberah," a fiction film produced by Soñar Soñar Cine. It details the roles played in direct sound recording, technical assistance in sound recording, and, most importantly, in planning the post-production sound design.&#xD;
Soñar Soñar Cine is a one-person production company founded by Alejo Estrabou, a graduate in Audiovisual Artistic Design, with whom I first met during my academic studies in El Bolsón. This production company produces diverse audiovisual works, ranging from socially charged documentaries such as "Allen, Sacrifice Zone," to music videos, and absurdist comedic fictions such as "Virus Code."&#xD;
This intervention is part of the production of Soñar Soñar Cine's first feature film, Iberah, which I became involved with in November 2023. My involvement in the film involved various roles within the sound department, initially as a sound assistant and then occasionally as head of live sound. However, due to the nature of the film's production model, which I will discuss later, the focus of my final bachelor's thesis focused on planning the film's post-production sound design.</summary>
    <dc:date>2025-08-26T00:00:00Z</dc:date>
  </entry>
</feed>

