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dc.contributor.advisorJarak, Diego-
dc.contributor.authorDreidemie, Carola-
dc.date.accessioned2024-01-22T13:58:52Z-
dc.date.available2024-01-22T13:58:52Z-
dc.date.issued2022-10-29-
dc.identifier.citationDreidemie, Carola (2022) Software Art and Sensitive Continuum. Spaces of Latency between Living Systems. PhD Thesis proposal in Research Creation. Tesis doctoral. Universitè de La Rochellees_ES
dc.identifier.urihttp://rid.unrn.edu.ar/handle/20.500.12049/11230-
dc.description.abstractSoftware art that is of interest to this thesis merges ’Fine Arts’ and ’Technology’ and assumes a dialogue between two different and sometimes opposite methods of research and knowledge production. This cross-discipline permeability, inherent to digital art, is so deeply nourished on the History of Arts, on Critical Aesthetics and on the artist’s metier as is on the ideas and engineering of Science and Technology, its history and its evolution.es_ES
dc.language.isoenes_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.titleSoftware Art and Sensitive Continuum. Spaces of Latency between Living Systems. PhD Thesis proposal in Research Creationes_ES
dc.typeTesises_ES
dc.rights.licenseCreative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-ND 4.0)-
dc.description.filiationDreidemie, Carola. Universidad Nacional de Rio Negro. Laboratorio de Investigación y Desarrollo en Tecnologías de Visualización, Computación Gráfica y Código Creativo. Río Negro, Argentinaes_ES
dc.subject.keywordArte Digitales_ES
dc.subject.keywordMedio Ambientees_ES
dc.subject.keywordSistemas Vivoses_ES
dc.type.versioninfo:eu-repo/semantics/acceptedVersiones_ES
dc.subject.materiaHumanidadeses_ES
dc.origin.lugarDesarrolloUniversidad Nacional de Rio Negro. Laboratorio de Investigación y Desarrollo en Tecnologías de Visualización, Computación Gráfica y Código Creativo. Bariloche, Argentinaes_ES
dc.description.resumenSoftware art that is of interest to this thesis merges ’Fine Arts’ and ’Technology’ and assumes a dialogue between two different and sometimes opposite methods of research and knowledge production. This cross-discipline permeability, inherent to digital art, is so deeply nourished on the History of Arts, on Critical Aesthetics and on the artist’s metier as is on the ideas and engineering of Science and Technology, its history and its evolution.es_ES
dc.type.subtypeTesis de doctoradoes_ES
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