Skip navigation
Por favor, use este identificador para citar o enlazar este ítem: http://rid.unrn.edu.ar/handle/20.500.12049/13712

Registro completo de metadatos
Campo DC Valor Lengua/Idioma
dc.contributor.authorGattás Vargas, Maia-
dc.date.accessioned2025-11-25T12:59:46Z-
dc.date.available2025-11-25T12:59:46Z-
dc.date.issued2025-06-22-
dc.identifier.urihttp://rid.unrn.edu.ar/handle/20.500.12049/13712-
dc.language.isoenes_ES
dc.relation.urihttps://necs.org/conferencees_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/-
dc.titleSubmerged at the bottom of an ocean of air: Atmospheric Thought in Jean Epstein's The Tempest and Helena Wittman's Driftes_ES
dc.typeObjeto de conferenciaes_ES
dc.rights.licenseCreative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)-
dc.description.filiationGattás Vargas, Maia. Universidad Nacional de Río Negro. Instituto de Estudios en Ciencia, Tecnología, Cultura y Desarrollo. Río Negro; Argentina.es_ES
dc.subject.keywordCinees_ES
dc.subject.keywordgiro atmosféricoes_ES
dc.subject.keywordecologíaes_ES
dc.type.versioninfo:eu-repo/semantics/acceptedVersiones_ES
dc.subject.materiaCinematografíaes_ES
dc.origin.lugarDesarrolloConference NECS European Network for Cinema and Media Studies, Universidade Lusófonaes_ES
dc.description.resumenIn 1643, Evangelista Torricelli demonstrated that air has weight and invented the barometer, an instrument for measuring atmospheric pressure. He was part of a great scientific debate that took place among the pioneers of barometric experiments. In a letter to Blaise Pascal he wrote: “We live submerged at the bottom of an ocean of elementary air which, by undoubted experience, is known to weigh”. However, with the passage of time, modern Western science has turned air into an abstract and imperceptible being. In this framework, Eva Horn proposes: “To return to an almost forgotten attention and perception of air, an ability to feel, see, smell the air and its states, an awareness of being as ‘being in the air’” (Horn, 2023, 29). Air is generally imperceptible because it is everywhere. But if it were to disappear, we would instantly notice its absence....We ask ourselves: ¿how does cinema return to the tangible air, in the face of the complexity of abstraction?es_ES
dc.relation.journalTitleConference NECS European Network for Cinema and Media Studieses_ES
dc.type.subtypeResumenes_ES
Aparece en las colecciones: Objetos de conferencia

Archivos en este ítem:
Archivo Descripción Tamaño Formato  
resumen Maia GV NECS.pdf76,32 kBAdobe PDFVisualizar/Abrir

Este documento es resultado del financiamiento otorgado por el Estado Nacional, por lo tanto queda sujeto al cumplimiento de la Ley N° 26.899


Este ítem está sujeto a una licencia Creative Commons Licencia Creative Commons Creative Commons