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dc.contributor.authorNudler, Alicia C.-
dc.contributor.authorEspañol, Silvia-
dc.contributor.authorJacquier, María de la P.-
dc.contributor.authorPorcel de Peralta, Julio A.-
dc.date.accessioned2020-04-24T16:07:01Z-
dc.date.available2020-04-24T16:07:01Z-
dc.date.issued2018-09-
dc.identifier.citationNudler, Alicia C., Español, Silvia., Jacquier, María de la P. y Porcel de Peralta, Julio A. (2018) A multimodal analysis of vitality forms in the play Krapp’s Last Tape. En Parncutt, R., & Sattmann, S. (Eds.) (2018). Proceedings of ICMPC15/ESCOM10. (pp. 341-343). Graz, Austria: Centre for Systematic Musicology, University of Graz.es_ES
dc.identifier.isbn978-3-200-05771-5es_ES
dc.identifier.urihttps://static.uni-graz.at/fileadmin/veranstaltungen/music-psychology-conference2018/documents/ICMPC15_ESCOM10%20Proceedings.pdf-
dc.identifier.urihttps://rid.unrn.edu.ar/jspui/handle/20.500.12049/4654-
dc.format.extentp. 341-343es_ES
dc.format.mediumdigitales_ES
dc.language.isoenes_ES
dc.publisherCentre for Systematic Musicology, University of Graz.es_ES
dc.titleA multimodal analysis of vitality forms in the play Krapp’s Last Tapees_ES
dc.typeParte de libroes_ES
dc.rights.licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/es_ES
dc.description.filiationFil: Nudler, Alicia C. Universidad Nacional de Río Negro, Sede Andina, Argentina.es_ES
dc.description.filiationFil: Español, Silvia. CONICET y FLACSO; Argentinaes_ES
dc.description.filiationFil: Jacquier, María de la P. Universidad Nacional de Río Negro. Instituto de Formación Docente Continua Bariloche; Argentinaes_ES
dc.description.filiationFil: Porcel de Peralta, Julio A. Universidad Nacional de Río Negro; Argentinaes_ES
dc.subject.keywordForms of Vitalityes_ES
dc.subject.keywordTheateres_ES
dc.subject.keywordBeckettes_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersiones_ES
dc.subject.materia.::Humanidadeses_ES
dc.origin.lugarDesarrolloUniversidad Nacional de Río Negroes_ES
dc.description.resumenThe aim of this paper is to describe and analyze a theatre fragment utilizing the concept of forms of vitality as proposed by developmental psychologist Daniel Stern. The selected fragmentbelongs to the play Krapp’s Last Tape by Samuel Beckett. Three performances of it, each by a renowned actor, were subjected to an ELAN program. A comparative analysis was made using an ad-hoc observational code containing four categories: forms of vitality in the actor´s movements, voice, scene sounds other than voice, and lighting. Subcategories were created based on attributes described by Stern (i.e. sudden, gentle, effortful), and were assigned along a temporal line. Prevalent forms of vitality per category were identified in each case, plus a comparison between categories. Finally, a description of the effect of these different display and combination of forms of vitality on the experience of spectators is discussed.es_ES
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