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| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.contributor.author | Gattás Vargas, Maia | - |
| dc.contributor.author | Depetris Chauvin, Irene | - |
| dc.date.accessioned | 2024-03-13T14:08:11Z | - |
| dc.date.available | 2024-03-13T14:08:11Z | - |
| dc.date.issued | 2023-10-03 | - |
| dc.identifier.citation | Gattás Vargas, Maia y Depetris Chauvin, Irene (2023) A Geological Cinema: Time and Fossil Aesthetics in Tatiana Mazú González’s Documentary Río Turbio (2020). Comparative Cinema; XXI (20); 48-67 | es_ES |
| dc.identifier.uri | http://rid.unrn.edu.ar/handle/20.500.12049/11419 | - |
| dc.description.abstract | This article examines Río Turbio (2020) by Tatiana Mazú González, a documentary that depicts a Patagonian mining town that is the site of political, ecological and feminist conflicts. Using an ecofeminist perspective, as well as notions of the geology of media and deep time, it considers the relationship of the mineral world with the machines and technologies that surround us. It thus finds connections between cinema and geology, and observes how in this film, the times and aesthetics of fossils are translated into a montage of the various visual and sound archives used. | es_ES |
| dc.format.extent | p. 48-67 | es_ES |
| dc.language.iso | en | es_ES |
| dc.publisher | Universidad Pompeu Fabra | es_ES |
| dc.relation.uri | https://www.raco.cat/index.php/Comparativecinema | es_ES |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | - |
| dc.title | A Geological Cinema: Time and Fossil Aesthetics in Tatiana Mazú González’s Documentary Río Turbio | es_ES |
| dc.type | Articulo | es_ES |
| dc.rights.license | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | - |
| dc.description.filiation | Gattás Vargas, Maia. Universidad Nacional de Río Negro. Instituto de Estudios en Ciencia, Tecnología, Cultura y Desarrollo (CITECDE). Río Negro; Argentina | es_ES |
| dc.description.filiation | Depetris Chauvin, Irene. Universidad de Buenos Aires. Buenos Aires; Argentina. | es_ES |
| dc.subject.keyword | documental | es_ES |
| dc.subject.keyword | ecofeminismo | es_ES |
| dc.subject.keyword | nuevos materialismos | es_ES |
| dc.subject.keyword | geología | es_ES |
| dc.type.version | info:eu-repo/semantics/acceptedVersion | es_ES |
| dc.subject.materia | Humanidades | es_ES |
| dc.origin.lugarDesarrollo | Universidad Nacional de Río Negro. Instituto de Estudios en Ciencia, Tecnología, Cultura y Desarrollo (CITECDE) | es_ES |
| dc.relation.journalissue | 21 (20) | es_ES |
| dc.description.review | true | es_ES |
| dc.description.resumen | This article examines Río Turbio (2020) by Tatiana Mazú González, a documentary that depicts a Patagonian mining town that is the site of political, ecological and feminist conflicts. Using an ecofeminist perspective, as well as notions of the geology of media and deep time, it considers the relationship of the mineral world with the machines and technologies that surround us. It thus finds connections between cinema and geology, and observes how in this film, the times and aesthetics of fossils are translated into a montage of the various visual and sound archives used. | es_ES |
| dc.relation.journalTitle | Comparative Cinema | es_ES |
| Aparece en las colecciones: | Artículos | |
Archivos en este ítem:
| Archivo | Descripción | Tamaño | Formato | |
|---|---|---|---|---|
| A Geological cinema Gattás y Depetris.pdf | 890,81 kB | Adobe PDF | Visualizar/Abrir |
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