Escombros, desechos y cenizas en el fin del paisaje norpatagónico argentino. Un análisis cinematográfico material de Los muertos dos de Manque La Banca y Puyehue de Victoria Sayago y Bruno Stecconi.

Abstract

In this paper, we are interested in observing how two contemporary audiovisual works contemporary audiovisual works converse with materials present in the Argentinean northpatagonian Argentine territory. To do so, we will work from the philosophical perspective of the new materialisms, who materialisms, which put in crisis the modern epistemology based on a binarism between the human and the binarism between the human and the non-human, between the living and the inert, and propose, instead, to consider non-human materials as living beings, actants - in beings, actants - in Bruno Latour's terms - with whom we can converse. In In this sense, Jens Andermann (2018) proposes to think the end of the landscape, since this concept presupposes an "objectification of the world, spiritualization of the observing subject" 1 .