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dc.contributor.authorRadyk, Lucrecia-
dc.date.accessioned2020-04-24T15:35:26Z-
dc.date.available2020-04-24T15:35:26Z-
dc.date.issued2019-07-10-
dc.identifier.urihttps://static1.squarespace.com/static/5a0b34bc2aeba59c71469345/t/5d1b3a268d3de700019ab762/1562065448371/TSA+2019+Final+Programme.pdf-
dc.identifier.urihttps://rid.unrn.edu.ar/jspui/handle/20.500.12049/4646-
dc.language.isoenes_ES
dc.relation.ispartof2019 annual meeting of the Transatlantic Studies Associationes_ES
dc.titleTransatlantic Modernism in Film and Literaturees_ES
dc.typeObjeto de conferenciaes_ES
dc.rights.licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/es_ES
dc.description.filiationFil: Radyk, Lucrecia. Universidad Nacional de Río Negro. Laboratorio Texto, Imagen y Sociedad; Argentinaes_ES
dc.description.filiationFil: Radyk, Lucrecia. Consejo Nacional de Investigaciones Científicas y Técnicas. Laboratorio Texto, Imagen y Sociedad; Argentinaes_ES
dc.subject.keywordTransatlantic Modernismes_ES
dc.subject.keywordLiteraturees_ES
dc.subject.keywordFilmes_ES
dc.subject.keywordDocumentaryes_ES
dc.type.versioninfo:eu-repo/semantics/acceptedVersiones_ES
dc.subject.materiaHumanidadeses_ES
dc.origin.lugarDesarrolloUniversidad Nacional de Río Negro. Laboratorio Texto, Imagen y Sociedades_ES
dc.origin.lugarDesarrolloCONICETes_ES
dc.description.resumenTransatlantic connections among modernist artists and writers have been well examined and documented. Those connections were due to literary translations, journal articles about books and exhibitions from across the ocean, as well as expatriate artists and writers that traveled from America to Europe and vice versa, and formed artistic groups and alliances. In this context, the cinema experiences radical changes as a new art form in the first decades of the twentieth century, and internationalism appears as one of its most salient traits. In addition, literature and film portray the accelerated travels of the modern world, which were as much for business and industry as for pleasure. This paper explores literary and filmic pieces that thematically allude to central topics of the period to observe not only convergent styles and interests in them but also their differences. Djuna Barnes in “The Hem of Manhattan” narrates a boat trip around the island while longing for Europe; Virginia Woolf walks through the docks of London to observe a piece of land that has drastically changed with modern global commerce; Paul Rotha and Humphrey Jennings in their films Shipyard (1935) and Farewell Topsails (1937), respectively, construct two perhaps complementary maritime views and stories. Images from when the world got smaller.es_ES
dc.type.subtypeDocumento de ponenciaes_ES
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